Archive for August, 2010

Kenmark Giving Away a Lilly Pulitzer Bicycle to One Lucky Customer!

August 31st, 2010

The Kenmark Group is celebrating the release of a new collection of Fabu-Lilly frames in its Lilly Pulitzer collection with the following Show Specials for customers attending Vision Expo West:

Enter to Win a Lilly Pulitzer Bicycle

Cruise over to Kenmark Booth #14039 to enter to win a Lilly Pulitzer Bicycle! To celebrate the release of new Lilly Pulitzer frames, Kenmark will be giving away a Lilly Pulitzer Bicycle to one lucky customer! With flip-flop-friendly pedals, a step-through frame that flatters your favorite skirt, and casual, curvy cruiser lines, this is the bike for blue sky days. This Van Dessel cruiser is a single speed bicycle adorned with Lilly Pulitzer floral graphics. At beaches, around town, along boardwalks, to farmer’s markets, to wherever your stylish life takes you, one lucky customer will travel in graceful comfort and Lilly Pulitzer style! No purchase necessary.

Model: Edie | Color: Tortoise/Melon


FREE Reusable Market Tote from Lilly Pulitzer

All attendees will receive one FREE Reusable Market Tote from Lilly Pulitzer upon entering the Vision Expo West Exhibitor Hall. Each Lilly Pulitzer Tote is tagged with a card for customers to fill out and enter to win a Lilly Pulitzer Bicycle. Cards must be returned to Kenmark Booth #14039 to be entered into the drawing. Reusable Lilly Pulitzer totes will be available all three days while supplies last.

kenmarkoptical.com

Harley-Davidson Eyewear Presents a New Assortment of Sunglass Styles for Fall 2010

August 30th, 2010

Viva International Group expands upon the sunglass collection from Harley-Davidson Eyewear with three new prescription ready sunglasses for men this fall. The frame’s sleek metal construction combined with a slightly bowed temple design provides optimum sun protection, without compromising style.

Key elements include spring hinges and non-slip soft rubber accents, which wrap around the frame’s metal temples offering additional support and comfort. Distinctive logo treatments consist of the Harley-Davidson logo laser-etched on the side of the temples, along with the brand’s iconic Bar and Shield logo, etched on the sculpted metal tips of the frame. Featured in the collection are styles HDX 815, a full-rimmed metal frame with a double-bridge, HDX 816, a full-rimmed metal frame with a single bridge and HDX 814, a semi-rimless metal style.

The trendy new prescription ready models from Harley-Davidson Eyewear deliver 100% UV protection featuring quality 6-base polycarbonate lenses in angular sporty shapes. The trio will be available in a range of metallic finishes, including antique gunmetal, shiny brown, satin black and satin bronze.

vivagroup.com

Venus Eye Boutique—A Visionary’s Hall of Frames

August 27th, 2010

Mike Christiansen, owner of Venus Eye Boutique and designer of all the glasses it sells, in Edmonton, Alberta, on May 25, 2010. (Photograph by: Candace Elliott, The Edmonton Journal)

When Mike Christiansen finished high school, he planned to design buildings, not eyeglasses. But his path to architecture school was diverted by a summer job selling frames to optometry shops.

Customers would ask if he had petite frames, or large frames, or more colourful frames for sale.

“I would take these questions back to my head office and say, ‘This is what people are asking for, this is what we need.’ And they’d say, ‘No, no, that’s not going to sell.’ ”

So Christiansen decided to design them himself. He made different bridge sizes and temple designs and used bright colours. He designed six different models, then found a factory in Japan that would produce them.

Eight years later, the 39-year-old designs and sells 350 different models of frames in a range of colours; about 1,800 different glasses in total which are sold in 2,000 locations across Canada, as well as in Europe, Australia, and, most recently, South America. Two-and-a-half years ago, again, in response to customer demand, he opened his own funky retail shop in Edmonton’s deep south — Venus Eye Boutique (11161 Ellerslie Road) — selling exclusively his own creations. Drawing on his love of architecture, Christiansen also designed the store itself, from start to finish, as well as every product sold in it.

“It’s interesting how life takes you and one thing leads to another and you end up going down this path that you never thought you would,” he says.

Having come up with the brand, designed the product, overseen its manufacture, opened his own retail shop and done all the marketing, he’s essentially “created a label from nothing, which is pretty exciting for me,” he adds.

In his travels, he regularly sees people wearing his frames in Toronto, Las Vegas and even on a trip to Disneyland with his kids. But he no longer tries to tell the wearers that he designed their glasses. “I used to say that a couple of years ago, and everybody used to think I was the biggest crazy-man on the planet,” he laughs. “They’d be going, ‘Uh, yeah; right buddy.’ Now I just usually compliment them on their glasses.”

Unlike many big manufacturers, who often choose their frames from an inventory of factory models and just stamp their own names on them, Christiansen has designed each frame himself in response to what customers have told him they want. At his Venus retail shop, people can even mix and match pieces from different frames, essentially creating their own design. Or they can choose from his “unique” wall of one-of-a-kind prototypes that never went to production.

“We’re sitting down, listening to what they want, specifically, and we can custom fit exactly what they want. There’s no other optical in the world that would do that for you,” he adds. “They would just laugh at you.”

His frames range in price from about $130 up to $380, depending on the materials used to make them.

Some of his frames have cut-outs at the temple, giving people the look of the thicker frames they like, but increasing the peripheral vision those wide arms tend to block. His “QT-Pie” series is aimed at petite women and kids — essentially just smaller versions of his stylish adult models. And his frames come in a kaleidoscope of colours.

“qt-pie” Eyewear by Venus

“As soon as a person comes into our boutique, I know exactly what frame should fit their face structure, for what reason, too,” says Christiansen. “Because I personally design the frame, I know what specific person that frame should be on.”

Christiansen himself owns about 50 pairs of glasses, a fact that would be unsurprising, except that he doesn’t need corrective lenses. “I have such perfect vision that it’s actually obscene,” he jokes. “I just wear ’em for fashion.”

Originally from Camrose, Christiansen moved to Edmonton after high school and has no plans to relocate, even though people often wonder why his growing business is based here. “Our family is all around Edmonton, we have roots here and we love the city,” he explains.

He spends a fair bit of time travelling, whether it’s to international trade shows or to optometry shops around the province.

“One week I’ll be in Red Deer and then two days later I can be in Milan and then four days after that I could be in Lloydminster. It’s really interesting.”

“That’s how I get my inspiration. Ever single day I’m out there, somebody says, ‘Oh, I wish they had this,’ ” says Christiansen. “Then I think, you’re exactly right, nobody’s doing that. That’s a great idea.”

by Marta Gold
The Edmonton Journal

venuseyedesign.com

A Dispenser’s Guide to Fitting Children’s Eyewear

August 26th, 2010

 

With these tips on fitting your young patients, you’ll be one step ahead of the game.

When fitting children with Rx eyewear and sunwear, it’s wise to recognize the differences between the worlds of kids and adults. The “one-size-fits-all” approach often used for adults should be thrown out the window and a different method followed for children.

Here’s a checklist you can follow that will guide you through the kids’ eyewear process.

Who’s in the Chair?

Children range from infants up to those aged 19. They pass through various stages and classifying kids this way is a good idea because each age group has relative behaviors. For example, younger children look to their parents for advice, consent, and the final decision while tweens want independence. Older kids may bring other family members or peers with them when selecting eyewear.

Appropriate for Kids

Children of all ages want to be in style, especially tweens and teens. These fashionistas begin to recognize designer names at an earlier age than in past decades. Make sure to show eyewear and sunwear that is age appropriate for the young patient you are fitting. Tweens and teens will quickly lose confidence in you if you insist on certain brands that are not created specifically for them. They seek popular brands that have images they can identify with so be sure you have a full understanding of each frame’s brand message.

The Right Frame Width

Take a good look at the child when selecting a frame. Is her face still pudgy? Does the face widen at the sides? If so, choose frames that have an extended endpiece, a longer A measurement, or temples that bow out in an arc away from the head. The goal is to ensure that the temples do not press against the side of the head. Eyewear that does not fit properly will cause discomfort and have a tendency to slide off the face.

Facial Shapes for Spatial Gaps

When selecting eyewear for infants and toddlers, keep in mind that babies’ foreheads protrude, their noses have little-to-no bridge, and their chubby cheeks are busting out so their eyes are inset. Fit eyewear with uniformly shaped lenses that cover the eyes and surrounding areas. The bridge and nosepads should be chunkier and fill in the spatial gap above their noses, and the B measurement of the frame should not be so deep that the rim rests on their cheeks.

Temple Considerations

Infants, toddlers, and pre-schoolers may be quick to remove their eyewear so frames with comfort cables that hook behind their ears are helpful. They take more effort to remove and keep the eyewear from slipping down their noses. Look for frames that offer both skull and comfort cable temples. Older kids may be more self-disciplined and may wear either temple style. For the active child, make sure the temple tip is made of perspiration-resistant materials that keep the eyewear from slipping.

Cosmetically Appealing Colors

Today’s kids want color and lots of it. Don’t be afraid to suggest colors that are outside the box. Look to multiple laminates like double and triple varieties with eye-catching color combinations and patterns that dazzle the eye, especially when recommending sunwear. When fitting infants and toddlers, it is okay to go a bit easier on the color so as not to cause additional distraction when wearing the eyeglasses.

Materials Matter

For younger kids like infants, toddlers, and pre-schoolers, it’s smart to recommend hypoallergenic and lightweight frame materials like titanium and stainless steel. They are also durable and easy to work with. For older children like tweens and teens also consider acetate for more pleasing color combinations and carved-out designs.

Try this checklist and you’ll find it a helpful guide when fitting children’s eyewear. Remember to add your own twist or niche to the experience too. And treat kids with respect and they will treat you that way in return.

by Jackie O’Keefe
totallyoptical.com

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KBL Eyewear: Impeccable Quality, Fit, Fashion, and Design

August 25th, 2010

KBLVISION was created in 2007 by Adam and Kara Mendelsohn. Its founders believe in creating quality product for unique markets. KBLVISION offers design, production, merchandising and sales to clients depending on their individual needs for eyewear. Adam and Kara have worked for many of the fashion industry leaders including Calvin Klein, Marc Jacobs, Michael Kors, Oliver Peoples, Thakoon, and Zac Posen to name a few. Together they are able to offer many different valuable resources and direction.

Model: Star Guitar
Inspired by vintage guitars of the 60s and 70s KBL’s 1st collection debut’s in full color on metal aviators offered in a range of shapes and sizes. The aviators feature a combination of shiny gold and silver hardware mixed with rich metallic paints. KBL delivers superior durability/quality and perfect fit through milled construction (one piece metal/no soldering) and made from the finest materials: Italian acetate and Japanese metal. PC, distortion free/shatter resistant, lenses block virtually 100% of UVA, UVB, and UVC rays. Each pair is named with a handwritten signature painted inside the frame. Stop hinge technology and plastic covered screws give KBL the true markings of luxury eyewear.


Model: Mor Chances
The KBL Zyl collection features perfect fit with colors inspired from a vintage eyewear showroom Adam stumbled upon during a recent trip to Treviso, Italy. The line features a refined cleanliness of design, great attention to color and exclusivity of style due to the highly technical quality. 7 Styles are offered including 4 unisex models. Each sunglass is made with the finest Italian acetate – Mazzucchelli. The sunglasses feature CR39 100% UV protected lenses, signature KBL enamel temple tips stripes, and gunmetal shiny/matte hardware. For the ultimate visual experience in all outdoor environments, lightweight/shatter resistant NXT polarized lenses are offered on select styles.


Model: Gordon
The special edition GORDON collection is defined by its “flash” lense. It is subtle and gradient which makes it a sophisticated version of the popular trend. GORDON metal aviators are made up in high fashion light and neutral colors such as taupe and vintage white mixed with shiny gold.


Founders Bios

Kara and Adam Mendelsohn

Adam the principal designer for KBLVISION has 12 years experience in the fashion industry. He was born and raised in New York. The grandson of a professional musician, Adam took an early interest in music and the creative process. After graduating from NYU Stern School of business in 1997, Adam began his career at Barneys New York – in merchandising and buying. He later moved to wholesale, working for Ittierre (D&G, Just Cavalli, Malo). He has been in the eyewear sector for 8 years as VP of fashion at Allison eyewear (Missoni, Moschino, Dunhill, among other brands) and most recently director of key account sales for Oliver Peoples, Paul Smith, and Mosley Tribes. Adam is an expert in merging fashion trends and technical know how into innovative and sellable products. Armed with a diverse resume, technical expertise and a yearning for pushing and expanding eyewear limitations, Adam ventured out to build a consulting business working with well respected ready to wear designers: Thakoon and Zac Posen in product development and design as well as prestigious eyewear brand Mykita.

Kara Director of Sales and Press for KBLVISION has 14 years experience in the fashion industry. Kara began her career at Calvin Klein Collection in wholesale sales for RTW and then collection handbags. She went on to become the director of sales for Michael Kors Collection traveling extensively within the US and Europe. After building a strong background in sales Kara began working with Marc by Marc Jacobs as the Retail Merchandise Manager building an entire division to support retail sales through out the US and Asia. After the birth of her first child she moved to Thakoon to run the sales and merchandising team working closely with the designer to build his sales and brand recognition within the US and internationally. In 2007 after the birth of her second child she began consulting under KBLVISION.

kbleyewear.com

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Annual Eye Exam—The Key to Your Child’s Success

August 24th, 2010

Eighty percent of what children learn is presented visually; children must see well to achieve their full potential. As children grow their eyes change. These changes are influenced by genes, normal growth patterns, and luck of the draw. Often if the parents wear glasses the child will, too. All children should have their eyes checked before entering school and yearly thereafter — children change quickly!

School screenings can catch large problems but children can squeak by, listening to the child ahead in line or squinting when the tester is not looking. If there is a problem an annual examination from an optometrist can catch it early. Classroom challenges include: overheads, white boards, workbooks and computers. Children who do not see well are unable to participate in class and learn basic skills.

The annual exam is painless and fun, it even includes cartoons! A yearly examination helps the child know the importance of vision and eye health. Dr. Scarbrough will ask about medical, eye and family vision history. The child will read an eye chart (or identify animals and shapes if the child is too young to read). Eye coordination is tested — even though each eye sees well independently does not mean the eyes work well together. Examinations of the exterior and interior parts of the eyes complete the testing.

Hyperopia (farsightedness) can affect a child’s ability to read for long periods of time. The child can be distracted, cranky, sleepy and avoid near-work, which are devastating to learning. Extremely farsighted eyes can become lazy or crossed. Lazy eyes never get good focus interfering with proper brain development. If caught early, a lazy eye can be addressed; if not caught by the age of seven the chance of having good vision in that eye is small. This can haunt the person as an adult if good vision or depth perception is required for a certain job. Even a temporary injury leaves the lazy-eyed person unable to function normally.

Myopia (nearsightedness) starts with puberty. Prescriptions can change in sudden, growth-related spurts or in a slow pattern. These changes are pre-determined at birth and are triggered by normal growth. Some parents fear wearing or not wearing glasses will influence the child’s ultimate need for glasses — this is a myth. However, learning will be hampered if the child does not wear glasses when needed.

Glasses do get scratched and broken but the child’s needs must come first. Because children are rambunctious we recommend polycarbonate lenses. Polycarbonate lenses are shatter-resistant, have UV protection built in and a scratch coating included. Durable frames should be selected to help withstand constant banging and adjusting. Most frames for children are either twistable or have spring hinges. Nosepads help keep the glasses up on the nose. Glasses are often replaced every 6-12 months due to prescription changes, scratched lenses, or growth.

Parents and children often ask about contact lenses. Emotional maturity and motivation are large factors. Is the child good about personal hygiene and responsibility?

Dr. Scarbrough may recommend hard lenses as a possible retainer to slow future prescription changes. Hard lenses are less likely to harbor bacteria and cause eye infection or permanent damage.

Soft lenses are less expensive and more comfortable initially. They do, however, require more upkeep and are more likely to be abused (not kept clean or overworn). Contact lenses can threaten the health of the child’s eyes and future ability to wear contacts if not worn appropriately and kept clean. This decision should not be made lightly.

Eye examinations for children are important; a child’s vision impacts everything in life. Visual problems can be caught early and addressed before they complicate a child’s life. An annual eye examination is important for safety and success.

by K. W. Scarbrough, OD
Woodinville Weekly News

Ralph Vaessen: Luxuriously Handcrafted Natural Horn Frames for Eyewear Fans with Discerning Tastes

August 23rd, 2010

At the beginning of 2006, Ralph Vaessen was still an unassuming Dutch government employee. Yet a radical change in life awaited him: not managing to find the frames he wanted, through a Dutch optician he got in touch with a small German-based atelier that could produce single sets of frames. But why make only one set when you could have an entire collection and share it with the rest of the world, Vaessen wondered. Soon, he designed an entire eyewear line and eventually changed jobs, creating exclusive and luxurious handmade frames in natural horn.

With a host of celebrities who have been wearing his designs – including Laetitia Casta, Anton Corbijn, David Lynch, John Malkovich, Kate Moss and Dutch actresses Carice van Houten and Gaite Jansen among others – and a list of shops such as Colette in Paris and United Arrows in Tokyo selling his designs, Vaessen is looking at his new life not through rose-tinted glasses, but through elegant hand-crafted horn frames as he prepares to launch his new eyewear collection and his first fashion line.

Model: Vincent

Dazed Digital: You don’t come from a conventional fashion background since you first worked for quite a few years for the Dutch government, did you find this career change difficult or exciting?

Ralph Vaessen: My career switch turned out to be a very refreshing and exciting journey. Looking back, I think it was the best decision I have ever made as it allowed me to do and learn many new things and meet interesting people. I must admit that I enjoy the appreciation I get for my designs even more than the commercial success. I love getting involved in all the creative aspects that my new business imply, from designing my glasses to arranging the shoots or working on the films that accompany my collections, such as the one inspired by Bryan Ferry’s music video for ‘Slave To Love’ shot in collaboration with Dutch photographer and filmmaker Hessel Waalewijn.

Model: Maud

Dazed Digital: Who has been the greatest influence on your career and what inspires your designs?

Ralph Vaessen: Bijan Azami, a local optician with a very beautiful store in The Hague. I met him while I was still working for the Dutch government and looking for new frames for myself. Azami referred me to a small atelier that could produce single sets of frames if I could make a drawing of the shape I wanted. This was the start of my career as a designer. Other figures influenced me in more recent years, among them photographer and director Anton Corbijn. One of the main inspirations for my designs is the British indie music scene and the subculture created by art students.

Model: Philip

Dazed Digital: Though your latest designs also feature water snakeskin, you mainly work with buffalo horn, what made you opt for such material?

Ralph Vaessen: I think that natural horn is a luxurious and classic material, it has such beautiful colours and an interesting fibrous structure that makes every frame simply unique, über chic and sexy. Besides, horn is also a very light material, so it’s very comfortable to wear.

Model: Bernhard

Dazed Digital: Who are your favourite accessory/fashion designers?

Ralph Vaessen: Among my classic icons there are Chanel and Dior, but I also admire Ralph Lauren. He created one of the strongest brands in fashion in a relative short time even though he didn’t have a conventional fashion background and launched a very recognisable look. I also love Camoshita and Tom Ford’s designs and always check out Vivienne Westwood’s new collections when they arrive in store. Among the Dutch designers my favourite ones are Viktor & Rolf, Alexander van Slobbe and Lucas Ossendrijver, Lavin’s menswear designer. I also like SuperTrash, a new and very successful brand launched in L.A. by Dutch entrepreneur Olcay Gulsen.

Model: Paul

Dazed Digital: You also developed a style on request of Dutch car company Spyker, what sparked such a collaboration?

Ralph Vaessen: I’m proud that we have such a great sports car brand in The Netherlands. In a way Spyker and I both work in the same kind of field since we produce a niche product, so it was a natural collaboration and an honour to design the “Spyker” style, that was recently nominated for the eyewear “Oscar”, the Silmo d’Or, in the sunglasses category. I hope that in the future I’ll be able to collaborate with other Dutch or international companies.

Model: Sarah

Dazed Digital: What are you working on at present?

Ralph Vaessen: My 2011 sunglass collection and my first fashion collection. When I design my frames I usually think about what kind of frames I would like to wear and I have decided to develop also a complementary fashion collection, conceiving it as my personal wardrobe to share with other people.

Model: Willem

Dazed Digital: Where do you see yourself in five years’ time?

Ralph Vaessen: In the swimming pool of a large villa on the Côte d’Azur! Jokes aside, I really hope I will have created by then a larger and stronger brand for luxury goods and I hope I will still be enjoying what I’m doing as much as I do it right now.

by Anna Battista
Dazed Digital

ralphvaessen.com

NASA Testing Adjustable Liquid-Lens Eyeglasses for Space

August 21st, 2010

When our vision starts fading, glasses or contact lenses (or laser surgery!) are a simple cure.

But for NASA astronauts working in the near weightlessness of a space environment, it’s not that easy.

After all, they’re trying to read from all sorts of angles. And many of them are middle-aged and facing presbyopia, that classic “Mom needs reading glasses” condition. Adding insult to injury, the microgravity environment actually helps degrade vision.

So what’s an astronaut to do? Larry Greenmeier in Scientific American details a solution called TruFocals, a new type of adjustable eyeglass lens that NASA has been testing for use in space.

Made by Van Nuys, Calif.–based Zoom Focus Eyewear (and sold for $900 per pair, retail), the three millimeter-thick, flexible lenses can change their focus on the fly.

Greenmeier describes how they work:

Each TruFocals lens—about three millimeters thick—actually consists of two magnetically attached lenses. The lens closer to the eye is flexible, with a transparent distensible (expandable) membrane attached to a clear rigid surface. The space between the membrane and the clear rigid surface holds a small amount of clear silicon fluid. A sliding lever on the bridge of the eyeglasses is used to push the fluid forward to alter the shape of the membrane and, by extension, the flexible lens. TruFocals for people with more advanced presbyopia contain more fluid than those made for people with a milder form of the condition. The second, outer lens features the wearer’s normal prescription.

In other words, the flexible lens replaces the eye’s eroding natural ability. That’s important because much of what NASA astronauts do — use complex equipment, read checklists and overhead instrument panels, etc. — is difficult to do with conventional eyeglasses, which have a small corrective zone.

And astronauts aren’t getting any younger, either.

NASA says its plan is to roll adjustable glasses out for use on the next space mission, either from Zoom Focus or Roanoke, Va.-based PixelOptics, which makes electronic adjustable lenses called emPower!.

Now all the astronauts will have to do is figure out how to make Harry Potter-style round lenses stylish.

by Andrew Nusca
smartplanet.com

trufocals.com

Seiko Surmount — Newly Patented Free-Form Technology

August 20th, 2010

Convex Add-Power Curve Technology

Surmount’s newly patented technology is able to process complex convex curves onto the concave back surface of the lens blank. This technique, combined with advanced prism thinning calculations creates lenses that are up to 25% flatter in plus prescriptions. The result is a noticeable difference in lens bulge when compared to all other competitive progressive designs.

Optimized Automatic Variable Inset

Achieving point focus for near vision objects requires the inset of the reading zone relative to the distance to be precise. Surmount takes into account the wearer’s PD and distance lens power and calculates the precise inset needed to give clear binocular vision at the standard 35cm near vision reading distance.

Advanced Aspheric Compensation

Surmount uses advanced aspheric compensation to improve vision throughout the entire lens. Even in prescriptions with high cylinder, Surmount offers wider areas of clear vision than ever possible before.

 

 

This advanced compensation factors in eye rotation, vertex distance and the small changes in effective power when the lenses are tilted relative to the eye (pantoscopic tilt). It modifies the power in both the distance and near zones to achieve the optically precise correction for the as-worn position. The wearer experiences increased visual comfort, with wider areas of stable vision.

Advanced Multi-Polar Astigmatic Correction

Oblique astigmatism and distortion in the peripheral areas of a lens force the wearer to constantly move his or her head to maintain a clear image. Surmount’s multi-polar astigmatic correction manages unwanted cylinder in all meridians, reducing oblique astigmatism. This creates a balanced progressive design that increases wearer comfort by reducing the need for head movements.

 

This advanced correction also takes into account Listing’s Law, which governs the three-dimensional orientation of the eye and its axis of rotation. It provides proper eye to lens alignment in all directions, significantly improving panoramic vision and image stability, especially in prescriptions with high cylinder.

Advanced Material For A Custom Fit

Surmount is available in premium high index materials:

  • 1.74 Clear
  • 1.67 Clear
  • Polarized and Transitions VI
  • 1.60 Clear and Transitions VI
  • Trivex Clear and Transitions VI
  • Transitions XTRActive 1.67 and Trivex

Product range is from +6.50 to -12.50, out to a -5.00 cylinder (refer to production range chart). Seiko Surmount lenses are also compatible with quality aftermarket AR coatings.

seikoeyewear.com

Prada Swing Sunglasses: The New Capsule Collection of “Jazz” Sunglasses

August 19th, 2010

pradalogo

The Swing Sunglasses Collection by Prada was launched at Joe’s Pub, one of the big apple’s jazz clubs. The new capsule collection of sunglasses features sophisticated silhouettes, designed to match the sensual aesthetics and modern femininity of the Autumn/Winter 2010 collection. The new Swing Sunglasses are the creative expression of feminine notes and bold chords, combining vaguely 1950s shapes with the simple lines of Prada’s 1990s fashions.

“Swing” in jazz jargon, means the passage from one chord to another. If this sound could be designed, it would have the flowing and lithe lines of the new Prada eyewear collection. This desire to make sound visual has led to the idea of beginning a new collaboration with comic book illustrators from around the world. Prada, which is famous for its multiple collaborations with international architects, designers, directors and photographers, will this time launch a “Manga Contest”.

Participants will include the best-known comic book-design schools along with independent illustrators. This will be an actual contest in which participants will be asked to design a fantasy heroine. The only constraint is that the woman must wear Prada Swing sunglasses in the comic strip. The objective is to animate Prada Swing sunglasses whilst, above all, exploring the possibilities of how different creative worlds can intermingle without any set rules (such as those of fashion and comic book design). The contest will be open to submissions until August 31. The winner’s heroines will become the protagonists of a Prada publication. All the information is available on Prada.com

The Prada Swing Sunglasses collection is tightly connected to the new advertising campaign for the brand’s Autumn/Winter 2010 collection. The campaign was filmed by Steven Meisel and set to the rhythm of the song “Fever,” the famous jazz song performed by Katey Judd. The video, which is about the collection and lasts 1 minute and 30 seconds, was launched globally during the event at Joe’s Pub in New York City.

The new Prada advertising campaign features a cast of men and women shot in the middle of performing mesmerizing choreography from cinematic scenes. The photos and videos of the women’s pret-a-porter collection depict Angela Lindvall in the guise of a nightclub singer. Around her, an intimate and provocative series of dances are taking place. The scenes are highly stylised and vividly lit against a black ink background, which cinematically frames the pastel colours and the 1950s silhouettes and prints of the Autumn/Winter 2010 collection. This composition highlights the sensual theme of the clothes against intense backgrounds with gradients of midnight blue, porphyry and black.

Prada Swing | Color: White

Prada Swing | Color: Black

The mood of the images is untraceable to any specific time or place. These are the 1950s remixed for the 21st century, a replay of 1990s minimalism in an 18th century baroque key, and a peep at a midnight rendezvous between the past and the future. In every image of the new Prada campaign one relives the kind of unexpected suspenseful moment found in classic cinema, when a close-up of a detail, a gesture or a slight blur revealed the real motivations of a character. The indisputably contemporary nature of
these sumptuous images leaves one bewitched by the possibilities the future holds.

Prada Swing will be available at the end of October at Prada Boutiques and selected retailers worldwide.

prada.com