Posts Tagged ‘handcrafted’

Modo Introduces New Styles to the 6000 Series

February 17th, 2011

Following its success of VEW 2010, Modo adds new styles to the timeless 6000 plastic series. The Spring/Summer 2011 collection is composed of 5 new styles.

New modern and clean acetate frames feature distinct metal details incorporating the hinge. Each detail is unique and subtle that adds interest to the style while not distracting from the purity of form and balance of proportions. Acetates are all handmade with new and notable shades including light Brown Horn, Red Stripe and clear crystal and each frame comes in a stylish black leather case.

6014 – An uplifting, soft rectangular style for men.

6015 – A well-balanced, men’s rectangle.

6016 – A unisex retro-modern rectangle.

6017 – A strong rectangular shaped men’s frame.

modo.com

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Activist Eyewear: Limited Edition Sunglasses Designed in Brooklyn and Made in Japan

January 14th, 2011

As industrial production has grown over the past 200 years, the idea has taken root that more is always better. Being able to manufacture a product the exact same way millions of times gives large corporations the ability to sell the same thing to nearly everyone who wants it. However, when it comes to fashion, the uniformity blurs individualism, and quality can suffer.

At Activist, they don’t prioritize quantity over quality. They value novelty as well as consistency, and they live this ideal by crafting each of their sunglasses in limited editions. Each colorway of every design is made in runs of 718 pieces, in honor of their hometown area code. This allows them to offer unique frames that are made for an individual, not a market segment. When a colorway sells out for that design, it won’t be offered again.

Model 10.01 | Colorway 03
Signature mix of classic style and futuristic high performance. Whether you’re sailing on open waters or strolling the streets of Brooklyn, you’ll always feel dapper in the 10.01. And no matter where you go, the dynamic Hingeless Split-Fit™ conforms perfectly to your head and guarantees these shades will stay locked in place.

Model 10.02 | Colorway 02
A clean, classic look essential to the modern traveler’s wardrobe. From the Hong Kong harbor to that favorite Ozarks fishing spot, the polarized Activizm™ lenses provide unparalleled optics and protection. Plus, the stainless steel frame is built with Split-Fit™ technology so it’s ultra durable and always comfortable.

Model 10.03 | Colorway 02
Minimalist and refined, Activist reached far into the past and future to conjure a look that’s as timeless as it is forward-looking. Wear these while trolling the Champs-Élysées or exploring the jungles of Costa Rica. The Split-Fit™ temples and Activizm™ lenses ensure a killer fit and excellent visual acuity.

Brooklyn NY is the hometown of Activist Eyewear and that is where they thrive on the energy of the streets, communities and local way of life. All of their products are inspired by the fabric of this place. Then, in order to bring each sunglass design to life, they work with small family-owned factories in Japan, where their partners are true craftsmen, combining old-world workmanship with cutting-edge technology. This creative pathway – from Brooklyn to Japan and back – is the soul of Activist Eyewear.

Each pair of Activist frames is crafted using the highest quality workmanship and materials and is hand finished with attention to every detail. If you find that there’s a manufacturer’s defect in your sunglasses up to 2 years from the date of purchase, they will either repair or replace them.

Activist Eyewear is visionary sunglasses that meld new technology with timeless style. Wear them everywhere, for everything, forever.

activisteyewear.com

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Ecofriendly Eye Candy: DRIFT Eyewear Looks Good in Wood

November 22nd, 2010

The DRIFT Philosophy

DRIFT Eyewear® is a company founded on creativity, quality, craftsmanship, and a desire to push the eyewear industry to a new level through technological innovation and ecological consciousness.

Don’t be the same… DRIFT strives to be unique in every way. Their products are like nothing you will find anywhere else. DRIFT Eyewear® is a seamless fusion between nostalgic style and new-age expression. All products are hand-crafted with a passion for breaking the barriers of style and quality.

Keep it clean… All of the materials used are carefully chosen with the environment in mind. Wood materials are carefully selected from fair-source suppliers who share the DRIFT mentality toward ecology. When you wear DRIFT you are supporting your environment by supporting the businesses that help keep our air clean, our water clear, and our forests healthy.

Quality…Creativity…DRIFT

STYLE: The Caulfield | STYLE OPTION: Wenge on Walnut

STYLE: The Caulfield | STYLE OPTION: Light Bamboo on Walnut

STYLE: The Caulfield | STYLE OPTION: Walnut on Walnut

The DRIFT Story

DRIFT Eyewear® started with a beat-up old skateboard and a Dremel tool. The first pair of eyeglasses was crooked at best and still had the grip tape for effect. The final product was far from wearable, but the spirit and concept had been formed.

The business was developed out of a desire for change. The idea was to create something new and unique; something that would turn heads, but also project a sense of value and attention to detail. The goal was to provide a sense of substance without the need for over-the-top branding. Wood was a natural choice as it is incorporated in so many aspects of our day-to-day lives. Wood is unique, durable, and sustainable.

It’s taken just over a year to perfect the design: making the frames more durable, more stylish, and easier to produce. The challenge was magnified by a determination to keep in mind a sense of ecological responsibility.

- Handcrafted with Soul

drifteyewear.com

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Parasite Eyewear: Innovative Design Products That Fusion with the User

October 20th, 2010

The Parasite brand was created by young French people who seek international success. They were children of the 80’s, they grew up with color TVs, they played with the first video game consoles, they have seen the invasion of computers. They were teenagers during the 90’s, They have read American comics, they have watched Japanese animes, they have lived the outbreak of the internet, the birth of mobile phones, and have been aware about the eclosure of a multipolar world. They want to experience and be parasites of this world of technology and crossbreeding.

Parasite Founder and Designer Hugo Martin

Designer Hugo Martin launched Parasite in 2002 with the revolutionary eyewear he invented. The first Parasite sunglasses were introduced in 2003 and the brand was met with immediate success. It allowed Hugo to create the Parasite Design company with a structure adapted to a long term view and international ambitions. Parasite made a profit and the brand had a strong image from its first season. Since its birth, Parasite has made its products evolve from conceptual to mass market, and has enlarged its ranges while growing.

Today the Parasite Design company employs twenty people and Parasite products are distributed in twenty countries located on five continents.

VARANA C62
VARANA was inspired by Lucha Libre masks (Mexican wrestling). This is why its name sounds like a Latina Super Heroin. But this model is much more smooth and feminine than expected through its origin. Its Y shaped Stereo arms grow from the bottom of the lens to the sides of the face in a butterfly wing design. Thus VARANA is a very sensual model, a great classic of the Parasite Vision Wear for women.

HERO SEED C58
Parasite HERO, a range of optical frames that makes anyone wearing them look like a super hero. Their radical design requires a strong behaviour, this is why wearing these styles is already a kind of heroism. These frames have big lens shapes rimmed in a glossy nylon thin front, Parasite Stereo active holding system and unreasonable design.

SCION 5 C81
Botanical word SCION means new vegetal growth. This name has been inspired by the supple design of the arms on this frame. A smooth line has been engraved and colored with lacquer on the inline of the arms. It gives an elegant touch while revealing the seperation of the frame in two stems. Parasite gives a technologic touch to this organic design, by adding a thin polyamid shifted front part that supports clipped lenses. The polyamid glossy aspect makes beautiful reflections occur. The rectangular front part is as thin as the stainless steel frame. SCION models are available in 4 minimalist unisex shapes and one feminine flame shape.

RAY
RAY has been inspired by the thinness and straightness of LASER. It brings you right into the future. Forget about being discret and transform yourself into a tough cyborg, with this Parasite extreme model.

ANDROIDE C15P
ANDROIDE sunglasses have a typical Parasite matrix of design: Thin Steelskin metal, symbiotic frame, optimum comfort, polarized high performance lenses, both sport and fashion aesthetic and functional aim. Compared to other Parasite styles, the specific aspects of ANDROIDE are the details of shapes and patterns. They are inspired by the articulations of Cyborgs (half humans – half machines) in Science Fiction.

ORKYD C10P
There is not only the ORKYD name that reminds of Orchidaceae flowers in this model, its shapes are graceful, both supple and tight like plant stems. Glossy lacquer color gives a smooth touch to the petals
that are engraved in the frame’s stems. The Parasite logotype is created in a way that looks like a plants nerves.

ASTERO BLING30
ASTERO is the first ski goggle with a metal front piece, it is a real shield! By using Metalysis to cut and engrave metal, Parasite enters a new range of aesthetical creativity, and makes it more solid and more protective. Parasite covers the steel shield by overinjecting Polyurethane. It makes metal and plastic impossible to separate from each other. That’s how ASTERO metal shield is as secure as a 100% plastic goggle.

parasite-eyewear.com

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Isson Eyewear: Moonstruck Menagerie

October 8th, 2010

Arriving into boutique stores this Fall, Isson’s SS10/11 collection ‘Moonstruck Menagerie’ intends to polarise, unashamedly forging a distinct line between fashion trends and the anomalous individual’s adapting of one of Isson’s characters to their own. Having successfully forged a name for themselves as the avant-garde frame of choice for unique individuals, this season Isson eyewear has taken quirky, personality based designs to the extreme, targeting the fearless fashion leader within.

Model: Betsy | Color: Pearl

Model: Beatrice | Color: Black

Model: Wanda | Color: Berry Stripe

Once purely perceived as an item to protect ones eyes, sunglasses now say so much more about the wearer. Fashion leader vs follower. Brave vs safe. Ironic vs considered. ‘Moonstruck Menagerie’ has perfectly captured this shift with its concept and design heavy frames, instantly identifying the fashion tribe you belong to.

Model: Louis | Color: Khaki

Model: Larabee | Color: Aqua

Model: Floyd | Color: Crystal Grey

Says Isson designer Catherine Federici,

“The current eyewear trends we’re witnessing are a continuation from consumer trends spawned post GFC, which saw a move towards bespoke and unique frames, but as high quality, handmade pieces. Come 2010, the mindset of consumers has really opened up, they’re a blank canvas if you will – embracing and experimenting with frames that are truly new, standout pieces. Fashion quirks are now fashion leaders and applauded for their sartorial smarts – being far less concerned with how flattering the frame is on the face, but more concerned with the overall statement/image that the frame outwardly and inwardly projects.”

Stocked in boutique stores across Paris, London, Los Angeles, New York and Tokyo – Isson’s hand made, acetate frames cater to the fashion type with their own uniquely formed aesthetic.

About the Designer

Isson is well known for its innovative designs and while her journey to today’s success hasn’t been a traditional path, designer Catherine Federici’s passion for eyewear has always been at the forefront.

One of four children raised on Sydney’s North Shore, it was as an Industrial Design student at the University of Technology Sydney and majoring in furniture and jewellery that Federici found herself drawn to the world of avant-garde optics. After a little research, Federici came across a job at George Skoufis, a boutique eyewear retailer renowned for his more avant-garde brands and designs. Skoufis was the perfect fit for the young Federici.

While juggling University and part-time work with Skoufis, Federici also trained in an art form of a different sort when one of her older brothers started a tattoo business, ‘Skin and Needles’. Although she began helping out drawing freehand designs for clients, Federici ended up learning to ink. “In the evenings after uni I used to go there and hang out and get them to show me how to do it.”

After graduation and leaving the part time work behind (including the tattoo parlour) Federici worked across a variety of roles, predominantly in the fashion industry – everything from wholesaling, buying, quality assurance, marketing and business administration.

In 2003, having cemented “enough pieces of the puzzle to go and do it myself”, Federici launched Eye Candy Optics with now-husband Marco, which is home to Isson. It was the culmination of a dream Federici had held since university, designing her own eyewear for a company that she owned.

isson.com.au

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How Green Are My Glasses? Environmental Questions To Ask Before Ordering Frames

September 13th, 2010

Eyewear has, thus far, flown below the radar of environmental scrutiny. This is probably because even the biggest manufacturers are small compared to the massive multinational corporations that are usually the target of protests.

Essilor, for example, is the biggest lens company in the world. But even its €3.3 billion in revenue last year is miniscule compared to the $405 billion in sales that Wal-Mart posted, and is much smaller than chemical company Monsanto’s $11 billion in revenue. And most optical companies are a lot smaller than Essilor.

They may not have had much scrutiny yet, but as the public becomes increasingly aware of the environmental cost of their stuff, the optical industry will eventually find itself under the microscope. Glasses are small, but collectively they use a lot of resources. Essilor, for example, used 910 tonnes of CR39 in 2008, and 623 tonnes of polycarbonate pellets. That’s a lot of plastic. They also used 340,000 cubic metres of water (to their credit, that’s significantly less than the year before) and 97.6 gigawatt hours of energy. That’s about the same as the amount of electricity used by all the households in Markham, Ontario.

As eyecare professionals, you can help by asking questions about the products you stock. More importantly, by doing so you’ll be prepared for the customer who asks these questions of you. Sooner or later it’s going to start happening. In the past year, we’ve seen some of the first frames come out claiming to be “green”. So let’s start with the frames. Some are fairly green, some are more of an exercise in “greenwashing”, most aren’t green in the least. What should you ask when someone claims their frame is green?

Wood

We live in Canada. Wood is abundant and, after big environmental battles in the 1980s and 90s, a lot more of it is harvested sustainably. But not all. And in many countries wood is harvested illegally, particularly expensive and rare woods such as teak and mahogany. Before buying a wood frame, insist on seeing proof that it was harvested sustainably and legally.

Gold & Wood B13

Spectacle Eyeworks in Vancouver can point you to the area in Quebec where the wood for their maple wood collection came from. Gold & Wood uses only wood certified by the Forest Stewardship Council. There are a couple certifying bodies in the world of wood, but FSC is the most common.

Poaching is so common, particularly in tropical regions and China, that, if a certificate isn’t produced, you should assume the wood has been harvested illegally and is part of a system of organized crime.

Horn and Other Natural Materials

In the past, we’ve harvested animals to the brink of extinction for ivory, horn, leather and other parts of their bodies that make our trinkets pretty. If you’re going to stock frames with animal components, find out where they came from. Leather or sheepskin is probably safe because we raise the animals for food, though the environmental cost of doing so is high. Rarer materials require more scrutiny.

First, find out if the animal is endangered or threatened anywhere in the world. The International Union for the Conservation of Nature has a searchable list. You may need to ask where the animals came from, as some are regionally threatened but abundant elsewhere.

If the company can’t give you clear answers to your questions, that’s a red flag. Gold & Wood, which uses a lot of horn, is one company that could quickly answer that their horn is a by-product of food production.

Recycling

What does it really mean when a company says their product contains recycled material? Maybe a lot, maybe not. How much is from recycled material, all of it or only part? A big part or a small part?

Also, find out how much is recycled from “post-consumer” waste. That’s the stuff that goes in your recycling bin. Anything else is “recycled” from within the manufacturing process. That’s still a good thing, as it means a company is using its own waste material more efficiently. But it’s not at all the same thing as post-consumer. Look for manufacturers who minimize their own waste, but are also finding ways to use a lot of post-consumer waste, which keeps plastic and metal out of landfills.

Modo Eco 1002

When Modo launched its Eco frames last year, they got mixed reviews from environmentalists. Modo used metal that was almost entirely post-consumer recycled, but acetate left over from making other frames. At this point, that’s a good step, since frames cut from blocks of acetate leave behind a lot of waste material.

Energy Use

This is going to be the hardest question to get an answer to, since so few manufacturers report their energy use. Many can’t because they get their components or frames made by third parties, often in factories that make frames for many companies. But big players with their own factories can and should answer your questions.

Essilor, as noted above, reports on its energy and water use annually, and such disclosure is probably more important for the environment than any of the changes they’ll make, as it allows people to track their progress, make suggestions and demand better performance. It also allows us to celebrate successes.

Water treatment uses a huge amount of energy, so when you’re thinking about things like greenhouse gas emissions, don’t just look at electricity or gas consumption, look at water, too.

This is just the tip of the iceberg. You’ll also need to look at packaging, shipping and finer points of the manufacturing and sourcing process. But every question will lead you to new and interesting discoveries, and will probably do the same for the rep and manufacturer.

At the end of the day, you’ll have helped make this industry a better one for the planet. But you’ll also be able to impress customers when they ask you those tough environmental questions, and you’ll be able to give others a story they’ll be proud to tell their friends when you fit them with a gorgeous and truly green pair of glasses.

by Craig Saunders
opticalprism.ca

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Ralph Vaessen: Luxuriously Handcrafted Natural Horn Frames for Eyewear Fans with Discerning Tastes

August 23rd, 2010

At the beginning of 2006, Ralph Vaessen was still an unassuming Dutch government employee. Yet a radical change in life awaited him: not managing to find the frames he wanted, through a Dutch optician he got in touch with a small German-based atelier that could produce single sets of frames. But why make only one set when you could have an entire collection and share it with the rest of the world, Vaessen wondered. Soon, he designed an entire eyewear line and eventually changed jobs, creating exclusive and luxurious handmade frames in natural horn.

With a host of celebrities who have been wearing his designs – including Laetitia Casta, Anton Corbijn, David Lynch, John Malkovich, Kate Moss and Dutch actresses Carice van Houten and Gaite Jansen among others – and a list of shops such as Colette in Paris and United Arrows in Tokyo selling his designs, Vaessen is looking at his new life not through rose-tinted glasses, but through elegant hand-crafted horn frames as he prepares to launch his new eyewear collection and his first fashion line.

Model: Vincent

Dazed Digital: You don’t come from a conventional fashion background since you first worked for quite a few years for the Dutch government, did you find this career change difficult or exciting?

Ralph Vaessen: My career switch turned out to be a very refreshing and exciting journey. Looking back, I think it was the best decision I have ever made as it allowed me to do and learn many new things and meet interesting people. I must admit that I enjoy the appreciation I get for my designs even more than the commercial success. I love getting involved in all the creative aspects that my new business imply, from designing my glasses to arranging the shoots or working on the films that accompany my collections, such as the one inspired by Bryan Ferry’s music video for ‘Slave To Love’ shot in collaboration with Dutch photographer and filmmaker Hessel Waalewijn.

Model: Maud

Dazed Digital: Who has been the greatest influence on your career and what inspires your designs?

Ralph Vaessen: Bijan Azami, a local optician with a very beautiful store in The Hague. I met him while I was still working for the Dutch government and looking for new frames for myself. Azami referred me to a small atelier that could produce single sets of frames if I could make a drawing of the shape I wanted. This was the start of my career as a designer. Other figures influenced me in more recent years, among them photographer and director Anton Corbijn. One of the main inspirations for my designs is the British indie music scene and the subculture created by art students.

Model: Philip

Dazed Digital: Though your latest designs also feature water snakeskin, you mainly work with buffalo horn, what made you opt for such material?

Ralph Vaessen: I think that natural horn is a luxurious and classic material, it has such beautiful colours and an interesting fibrous structure that makes every frame simply unique, über chic and sexy. Besides, horn is also a very light material, so it’s very comfortable to wear.

Model: Bernhard

Dazed Digital: Who are your favourite accessory/fashion designers?

Ralph Vaessen: Among my classic icons there are Chanel and Dior, but I also admire Ralph Lauren. He created one of the strongest brands in fashion in a relative short time even though he didn’t have a conventional fashion background and launched a very recognisable look. I also love Camoshita and Tom Ford’s designs and always check out Vivienne Westwood’s new collections when they arrive in store. Among the Dutch designers my favourite ones are Viktor & Rolf, Alexander van Slobbe and Lucas Ossendrijver, Lavin’s menswear designer. I also like SuperTrash, a new and very successful brand launched in L.A. by Dutch entrepreneur Olcay Gulsen.

Model: Paul

Dazed Digital: You also developed a style on request of Dutch car company Spyker, what sparked such a collaboration?

Ralph Vaessen: I’m proud that we have such a great sports car brand in The Netherlands. In a way Spyker and I both work in the same kind of field since we produce a niche product, so it was a natural collaboration and an honour to design the “Spyker” style, that was recently nominated for the eyewear “Oscar”, the Silmo d’Or, in the sunglasses category. I hope that in the future I’ll be able to collaborate with other Dutch or international companies.

Model: Sarah

Dazed Digital: What are you working on at present?

Ralph Vaessen: My 2011 sunglass collection and my first fashion collection. When I design my frames I usually think about what kind of frames I would like to wear and I have decided to develop also a complementary fashion collection, conceiving it as my personal wardrobe to share with other people.

Model: Willem

Dazed Digital: Where do you see yourself in five years’ time?

Ralph Vaessen: In the swimming pool of a large villa on the Côte d’Azur! Jokes aside, I really hope I will have created by then a larger and stronger brand for luxury goods and I hope I will still be enjoying what I’m doing as much as I do it right now.

by Anna Battista
Dazed Digital

ralphvaessen.com

SUGARKANE Glasses: Asymmetrical Handmade Frames

August 11th, 2010


“Men who wear glasses are so much more gentle, and sweet, and helpless.”

That’s what Sugar Kane, Marylin Monroe’s character in Billy Wilder’s movie Some Like It Hot, says when she explains to her new friend why she is going to Florida, and that’s why SUGARKANE glasses are the glasses of love. But there can be no love between two persons that are exacly the same: Love works only with two opposite minds, when differences are combined and they become important elements that can complete a feeling. Actually, asymmetry is the base for a real love! So here we have SUGARKANE, a real couple of lenses, asymmetric, and really crazy in love!

SUGARKANE glasses are designed by Leandro Manuel Emede. The exclusive and limited edition asymmetrical frames are handmade one by one by italian craftsmen. Thats why some of the colors they produce are unique pieces. SUGARKANE occhiali are totally customizable. You can choose your own frame color and combine it with the lenses you prefer: even if the frames come with trasparent lenses, you can ask for prescription, normal, gradient, photochromic, color or sun lenses. SUGARKANE occhiali comes in two models: prescription and sunglasses, but you are totally free to exchange their use and ask for sun lenses on small prescription models and normal lenses on the big ones… its just up to you!

leandromanuelemede.com